{"version":"https:\/\/jsonfeed.org\/version\/1.1","title":"Scriptorium","home_page_url":"https:\/\/blog.pampatype.com","feed_url":"https:\/\/blog.pampatype.com\/feed.json","language":"en","items":[{"id":"https:\/\/blog.pampatype.com\/otta-concept","url":"https:\/\/blog.pampatype.com\/otta-concept","title":"Designing Otta.  Or the adventure of exploring writing as a digital copyist","date_published":"2025-09-04T00:00:00+00:00","image":"https:\/\/blog.pampatype.com\/media\/pages\/otta-concept\/47ecb5871f-1785364696\/portada-ok.jpg","authors":[{"name":"Francisco G\u00e1lvez Pizarro"}]},{"id":"https:\/\/blog.pampatype.com\/gorgias-concept","url":"https:\/\/blog.pampatype.com\/gorgias-concept","title":"Designing Gorgias. How to revive a traditional Fraktur by enhancing it for a contemporary, original use","date_published":"2025-05-01T00:00:00+00:00","image":"https:\/\/blog.pampatype.com\/media\/pages\/gorgias-concept\/5b7e2e449d-1785364693\/caratula-ok.png","authors":[{"name":"Manuel L\u00f3pez Rocha"}]},{"id":"https:\/\/blog.pampatype.com\/from-film-to-book","url":"https:\/\/blog.pampatype.com\/from-film-to-book","title":"From film to book. Hiroshima in the \u2018Blanche\u2019. In the prehistory of \u201cHistoire(s) du cinema\u201d of Jean-Luc Godard","date_published":"2024-09-08T00:00:00+00:00","image":"https:\/\/blog.pampatype.com\/media\/pages\/from-film-to-book\/d25367ee69-1785364691\/riva-tapa.png","authors":[{"name":"Paule Palacios Dalens"}]},{"id":"https:\/\/blog.pampatype.com\/perec-goes-script","url":"https:\/\/blog.pampatype.com\/perec-goes-script","title":"Mango & dark chocolate. Designing a script font to match a grotesque?","date_published":"2023-11-24T00:00:00+00:00","image":"https:\/\/blog.pampatype.com\/media\/pages\/perec-goes-script\/5545fc57be-1785364689\/amores-caratula.png","authors":[{"name":"Alejandro Lo Celso"}]},{"id":"https:\/\/blog.pampatype.com\/perec-concept","url":"https:\/\/blog.pampatype.com\/perec-concept","title":"Perec 2.0: our multi-faceted, unclassifiable and versatile sans serif typeface, now extended","date_published":"2023-03-08T00:00:00+00:00","image":"https:\/\/blog.pampatype.com\/media\/pages\/perec-concept\/29185094ba-1785364688\/dsc_0076.jpg","authors":[{"name":"Alejandro Lo Celso"}]},{"id":"https:\/\/blog.pampatype.com\/the-design-of-carolineale","url":"https:\/\/blog.pampatype.com\/the-design-of-carolineale","title":"The design of Carolin\u00e9ale, a humanist sanserif inspired by medieval chant books","date_published":"2022-07-28T00:00:00+00:00","image":"https:\/\/blog.pampatype.com\/media\/pages\/the-design-of-carolineale\/ab165479aa-1785364688\/carolineale_article2.png","authors":[{"name":"Francis Ramel"}]},{"id":"https:\/\/blog.pampatype.com\/borges-concept","url":"https:\/\/blog.pampatype.com\/borges-concept","title":"Borges. A classic and versatile typeface of literary inspiration","date_published":"2022-02-02T00:00:00+00:00","image":"https:\/\/blog.pampatype.com\/media\/pages\/borges-concept\/73d9549009-1785364688\/thumb.png","authors":[{"name":"PampaType Team"}]},{"id":"https:\/\/blog.pampatype.com\/tuscan-letters-2","url":"https:\/\/blog.pampatype.com\/tuscan-letters-2","title":"With hollow feet and harlequin hats: Tuscan letters, a prank of lapidary origin? (Second part)","date_published":"2021-02-02T00:00:00+00:00","image":"https:\/\/blog.pampatype.com\/media\/pages\/tuscan-letters-2\/92b1c1260a-1785364687\/saigon-caratula.jpg","authors":[{"name":"Teresita Schultz de Carabobo"}]},{"id":"https:\/\/blog.pampatype.com\/tuscan-letters-1","url":"https:\/\/blog.pampatype.com\/tuscan-letters-1","title":"With hollow feet and harlequin hats: Tuscan letters, a prank of lapidary origin? (First part)","date_published":"2021-01-24T00:00:00+00:00","image":"https:\/\/blog.pampatype.com\/media\/pages\/tuscan-letters-1\/a8ce38e015-1785364686\/voila-ok-2.jpg","authors":[{"name":"Teresita Schultz de Carabobo"}]},{"id":"https:\/\/blog.pampatype.com\/jean-luc-godard-the-typographer-with-the-movie-camera","url":"https:\/\/blog.pampatype.com\/jean-luc-godard-the-typographer-with-the-movie-camera","title":"Jean-Luc Godard, the Typographer with a Movie Camera","date_published":"2020-07-20T00:00:00+00:00","image":"https:\/\/blog.pampatype.com\/media\/pages\/jean-luc-godard-the-typographer-with-the-movie-camera\/9a4ca48b73-1785364684\/passion-capturas.jpg","authors":[{"name":"Paule Palacios Dalens"}]},{"id":"https:\/\/blog.pampatype.com\/octothorpe-concept","url":"https:\/\/blog.pampatype.com\/octothorpe-concept","title":"Octothorpe, or how to enjoy redesigning a glamorous, hypnotic, and elegantly useless display font from the seventies?","date_published":"2020-05-20T00:00:00+00:00","image":"https:\/\/blog.pampatype.com\/media\/pages\/octothorpe-concept\/0c2ae8a0eb-1785364683\/caratula-arroba.jpg","authors":[{"name":"Jorge Iv\u00e1n Moreno Majul"}]},{"id":"https:\/\/blog.pampatype.com\/the-cathedral-project","url":"https:\/\/blog.pampatype.com\/the-cathedral-project","title":"The design of a new typeface for an ancient gothic cathedral","date_published":"2020-05-01T00:00:00+00:00","image":"https:\/\/blog.pampatype.com\/media\/pages\/the-cathedral-project\/674378e6db-1785364682\/portada.jpg","authors":[{"name":"Francis Ramel"}]},{"id":"https:\/\/blog.pampatype.com\/lazy-dog","url":"https:\/\/blog.pampatype.com\/lazy-dog","title":"About the lazy dog","date_published":"2019-05-16T00:00:00+00:00","image":"https:\/\/blog.pampatype.com\/media\/pages\/lazy-dog\/bfc92e83e3-1785364681\/pangramme.jpg","authors":[{"name":"J\u00e9r\u00f4me Knebusch"}]},{"id":"https:\/\/blog.pampatype.com\/the-typographic-vault","url":"https:\/\/blog.pampatype.com\/the-typographic-vault","title":"The Typographic Vault. An invitation to contemplate a constellation of typefaces","date_published":"2019-04-23T00:00:00+00:00","image":"https:\/\/blog.pampatype.com\/media\/pages\/the-typographic-vault\/208f814597-1785364681\/03-cubo-noordzij-fondito.jpg","authors":[{"name":"Francisco G\u00e1lvez Pizarro"}]},{"id":"https:\/\/blog.pampatype.com\/the-folds-in-life","url":"https:\/\/blog.pampatype.com\/the-folds-in-life","title":"The folds in life","date_published":"2019-04-17T00:00:00+00:00","image":"https:\/\/blog.pampatype.com\/media\/pages\/the-folds-in-life\/d88400c313-1785364681\/pangramme_books_3.jpg","authors":[{"name":"S\u00e9bastien Morlighem"}]},{"id":"https:\/\/blog.pampatype.com\/fail-again-fail-better","url":"https:\/\/blog.pampatype.com\/fail-again-fail-better","title":"\u2018Fail again, fail better\u2019","date_published":"2019-03-31T00:00:00+00:00","image":"https:\/\/blog.pampatype.com\/media\/pages\/fail-again-fail-better\/1a06c77ba7-1785364680\/img_00.jpg","authors":[{"name":"Thomas Huot-Marchand"}]},{"id":"https:\/\/blog.pampatype.com\/tipografia-para-textos-inmersivos-cuando-lo-esencial-es-invisible-a-los-ojos-segunda-parte","url":"https:\/\/blog.pampatype.com\/tipografia-para-textos-inmersivos-cuando-lo-esencial-es-invisible-a-los-ojos-segunda-parte","title":"Tipograf\u00eda para textos inmersivos: cuando \u201clo esencial es invisible a los ojos\u201d. Segunda parte","date_published":"2019-03-15T00:00:00+00:00","image":"https:\/\/blog.pampatype.com\/media\/pages\/tipografia-para-textos-inmersivos-cuando-lo-esencial-es-invisible-a-los-ojos-segunda-parte\/f02934b559-1785364680\/figuras-pampa-2a-parte_k1-3home.jpg","authors":[{"name":"David Kimura"}]},{"id":"https:\/\/blog.pampatype.com\/gerard-unger-in-memoriam","url":"https:\/\/blog.pampatype.com\/gerard-unger-in-memoriam","title":"Gerard Unger, perfumer of letterforms. (Anecdotes, mementos, and reflections by a grateful student)","date_published":"2018-11-28T00:00:00+00:00","image":null,"authors":[{"name":"Alejandro Lo Celso"}]},{"id":"https:\/\/blog.pampatype.com\/amster-y-sus-glifos-voladores","url":"https:\/\/blog.pampatype.com\/amster-y-sus-glifos-voladores","title":"Amster y sus glifos voladores: intentos desesperados (y todos fallidos) por explicarlos","date_published":"2018-10-04T00:00:00+00:00","image":"https:\/\/blog.pampatype.com\/media\/pages\/amster-y-sus-glifos-voladores\/95b7eb73f7-1785364679\/jenson_biblia_1476_2.jpg","authors":[{"name":"Teresita Schultz de Carabobo"}]},{"id":"https:\/\/blog.pampatype.com\/conversaciones-con-thomas-bouillet-de-su-pasantia-en-pampatype","url":"https:\/\/blog.pampatype.com\/conversaciones-con-thomas-bouillet-de-su-pasantia-en-pampatype","title":"Conversations with Thomas Bouillet about his internship at PampaType","date_published":"2018-08-20T00:00:00+00:00","image":"https:\/\/blog.pampatype.com\/media\/pages\/conversaciones-con-thomas-bouillet-de-su-pasantia-en-pampatype\/3ae61fbd96-1785364679\/lig-mon-numeriser-6.jpg","authors":[{"name":"Alejandra Peri\u00e9"}]}]}